by Joseph Olshan

To write a successful novel, I have to dip my pen into autobiography; and if I don’t, I lose my way. This makes it difficult when I am writing fiction about a crime. It means weaving a tight narrative comprised of an act of violence and the mystery surrounding that act of violence with something substantial that I’ve lived through.

Whenever an author publishes a book, perhaps the best form of publicity is a profile written in a national magazine that is devoured by avid readers. I read one of these profiles the other day and was struck by the fact that the journalist who wrote the piece positioned the writer to come off like some kind of off-beat genius.