A good friend of mine (who started her career more or less at the same time) reminded me the other day how it used to be when a writer of literary fiction published a book. All the reviews would appear within a couple of weeks, and there were quite a few of them at that. I remember, for example, whenever I had a book out in the UK, it would get reviewed the day of publication, and often that same day, in several different places at once. Now, except for the most prominent of writers, the climate has changed.
Archives for July 2018
Difference Between Fiction and Non-Fiction Narratives
At Delphinium, we often ponder the difference between fiction and non-fiction narrative, and it seems more and more that these two literary distinctions are being blurred. Even though the memoir genre is still thriving, it’s now generally understood that memoirs are embellished, truth laced with invention; and yet it’s also true that many memoirs could not be successfully published as novels. With a memoir, it’s the very idea—or in some cases, the illusion—of confession that makes a book saleable. The premise is that a memoir will attract a reader who can believe they have gone through an experience similar to the one they read about. For this reason, memoirists—and their publishers—may be reluctant to divulge whatever is actually invented. [Read more…]
Where Did The Women Go?
by Bina Shah
Author of A Season for Martyrs and
the forthcoming dystopian novel Before She Sleeps
The premise of my dystopian novel set in South West Asia, Before She Sleeps, is that war and disease have decimated the female population of the region. A new authoritarian regime emerges that seeks to do two things: restore the female population to normal numbers, and keep tight control on a society made unstable by the sudden imbalance of the male-to-female ratio. They do this using a combination of technology and terror, tracking women and their fertility, assigning brides to multiple men, and punishing anyone who rebels against the new order. [Read more…]